EXPERIMENT TWO: THE SPACE BETWEEN FINAL SUBMISSION

12 Axonometrics and Concepts
Electroliquid Aggregation and 6 Axonometrics
36 Custom Textures
Final Two Concepts and Theme
Final Images
3D Warehouse
Lumion Environment/Files

3D Warehouse

Final Images

In designing this tram station, the main concern was to manage the high volume of traffic (people and vehicles), urban growth and its overall impact on the community. 

As a result, the existing congestion on Anzac parade was diverted by an elevated tram station. Not only will the space above ground avoid urban growth, but also ensure the safety of pedestrians. The trams will arrive and depart in high volumes (around 2 min/ tram), with a length of 80m, which allows an adequate amount of room for citizens to be transported comfortably. 

Anzac Parade remains unchanged as the development of a new transportation system could disturb the daily activities of citizens such as re-routed bus lines and delayed transportation times.

Closer Look of Textures

Additional Images

The large areas such as the railings, platforms and seating are created from recycled timber. This is a huge part of my theme "Sustainability" as it prevents the destruction of trees and the constant usage of energy to produce new materials.

By planting a large variety of trees and foliage, it creates a green environment which promotes a renewable space. Also, the tram stop relies heavily on natural lighting which means less electricity is used. Ultimately, the people are able to break away from the daily indoor activities and enjoy nice outdoor weather.

Fly-through of Tram Stop

 

Final Two Concepts And Theme

Hundertwasser's uses distorted, simple structures with wild textures stemmed from individuality and personal creation. Hundertwasser's work is always located in a natural terrain in order to create a sense of harmony between the landscape and structure. This unique, outdoor placement means that Hundertwasser synthesises weird structures for humanity and nature to bond in order to distant humanity from the rapid urban growth. 

On the other hand, Calatrava focuses heavily on the dynamism and the bare skeletal structure of his buildings in order to achieve a grand sensation of entry. Calatrava controls the experience of entering his spaces simply, often diverting visitors through the most efficient path in order to quickly direct them to their destination throughout his museums and bridges. Thus, Calatrava creates a dynamic space which achieves both form and function; allowing humanity to socialise.

Ultimately, I aim to embrace "Sustainability" by creating natural, dynamic, transportation structure, in order to create a connection between humanity and nature. An elevated platform is used to create an ethereal space which includes natural materials and a relaxation area in order to disjoint humanity from the concrete jungle.
Throughout the structure, I have incorporated the 'green' aspect of sustainability, by implementing large amounts of vegetation and greenery. Further, the trams are powered by underground solar panels within the track and the furniture are composed with recycled materials.

36 Custom Textures

        

  

         

         

via GIPHY

Electroliquid Aggregation

Sketch-Up Artisan Tools Rendered on Lumion

12 Axonometrics + Concepts

Rendered Axonometrics on Lumion

EXP 1 Contents/ Submission

LINKS

First Class: The 3 Images

Experiment 1 Clients

Week 1: 18 Sketch Sections and Experiment Sketch-Up Model

Week 2: Stairs + Sketch-Up Model (2nd Design)

Week 3: 36 Custom Textures

Week 4: Contour + Chosen Video

Week 4: Application of Textures Inside Final Model

Week 4: Rendered Final Model Images + Section Drawings

Week 4:Animation + Final 3D Warehouse Upload

Week 4:Animation + Final 3D Warehouse Upload

WEEK 4: ANIMATIONS + FINAL 3D WAREHOUSE UPLOAD

3D Model Sketch-Up Upload

Week 4 Rendered Final Model Images + Section Drawings

WEEK 4: RENDERED FINAL MODEL IMAGES + SECTION DRAWINGS

Exterior View

Issey Miyake Workshop

Materials for Workshop: Cherrywood frames and ground and glass panes for windows

Materials for Stairs: Light Wood for the staircase, aluminium for railings and glass panes for lookout on staircase.

Materials of furniture: Plastic tables and chairs with velvet cushioning

Issey Miyake Mini Showroom and Viewpoint

Materials for Workshop: Cherrywood frames and ground and glass panes for windows

Materials for Furtniture: Marble stands for Issey Miyake's Bao Bao Bag.

Issey Miyake and Magnus Walker Showroom

Materials for Showroom: Cherrywood frames and ground and glass panes for windows

Materials for Furtniture: Marble stands for Issey Miyake's Bao Bao Bag and welded metal platform with custom texture for Magnus Walker's cars.

Magnus Walker Workshop

Materials for Workshop: Reinforced concrete flooring and walls with marble coating

Materials for Stairs: Reinforced concrete flooring with steel coating

Materials for Furniture: Welded metal platform with custom texture for Magnus Walker's cars and steel tables with custom texture for Magnus Walker's work benches.

Section Drawings

Week 4 Application of Textures Inside Final Model

WEEK 4 SKETCH-UP MODEL DEVELOPMENT (FINAL MODEL)

Improved model, extra level and new terrain.

Staircase to Issey Miyake

Staircase to Issey Mikaye Workshop

Issey Miyake Workshop with Staircase

Magnus Walker Workshop with Staircase

Showroom with Issey Miyake and Magnus Walker

Application of Textures

Fibrous - Issey Miyake

Fibrous/Rigid - Issey Miyake and Magnus Walker

Flow - Magnus Walker

Showroom with Issey Miyake and Magnus Walker